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Bulletproof Tiger “Healthy Fear” limited edition 7″ release and free Download.


Bulletproof Tiger have announced their anticipated debut release, two singles of their unreleased full-length album which is due later this year. The two singles, “Healthy Fear” and “Shout In The Dark,” will be released on vinyl. A limited edition pressing of 250 hand numbered 7″ records under Ltl Monster. The album was recorded at Le Fe Studios. The vinyl was pressed at Archer Pressing in Detroit, MI. Pre-Orders are available. One of the two singles is currently available to download for free.

To pre-order the limited edition 7″ go to: http://bit.ly/lk3BG0

Bulletproof Tiger is an instrumental live-electronic group from El Paso, TX. The plastic-tiger-mask-wearing duo is comprised of the aliased Bobby Miracles (guitar) and Jean-Luc Duvalier (keyboard/synth) who, after meeting in the summer of 2009, began playing together after discovering their passion for both dance/electronic music and hip-hop. Heavily influenced by such groups as Daft Punk, the Twelves and Gorillaz, the intensity and aggressive nature of Bulletproof Tiger’s “dance-bangers” are only complimented by the symbolism behind their tiger masks – which are never removed in public. The tiger masks help to represent the animalistic nature of their music.

Bulletproof Tiger – “Shout in the dark” (LTL – 001) by Ltl Monster

Bulletproof Tiger – “Healthy Fear” (LTL- 001) by Ltl Monster

On Friday June 24th, 2011 Bulletproof Tiger, in collaboration with Ltl Monster and Downtown Niche Magazine will be hosting a release party at The Lowbrow Palace in El Paso,TX. The evening will feature live performances by System A., RayDub, Rob Bass, Heart Chemist and Bulletproof Tiger. There are no pre-sale tickets available. 200 Records will be available at the show on a first come basis. There is a $5 cover or $10 including 7″ vinyl.

For more information check out:

Bulletproof Tiger on Facebook:
http://www.facebook.com/pages/Bulletproof-Tiger

Bulletproof Tiger’s official website:
http://www.bulletprooftigermusic.com

Ltl Monster on facebook:
http://www.facebook.com/ltlmonster

Downtown Niche Magazine:
http://downtownniche.com


Ma Dukes Presents:The Rebirth Of Detroit


J dilla’s mother, Ma Dukes, speaks about “The Rebirth Of Detroit.”


La Parada

If you’re in the Southwest United States or Northern Mexico come out to El Paso, TX tonight and celebrate life with us.


Lyric Curated by Glenn Barr





















Music and its lyrics can always stimulate our emotions and it can have us contemplating a visional narrative. Lyrics have been known to be the fodder of some of the greatest works in the world. This exhibition will illustrate the artists personal transcription from a songs lyric to canvas.

Participating Artists Include:
Jeff Soto, Michael Segal,THH70, Gary Taxali, Cammy d’Errico, Travis Louie, Davin Brainard, Chris Riccardi, Brandt Peters, Kathie Olivas, Joey Seeman, Bask, Lisa Petrucci, Rick Morris, Chet Zar, Trevor Young, Mark Dancey, Bryan Cunningham,, Marie Blanco Hendrixx, Chris Dean, Brandi Milne, Calef Brown, William Wray, Yumiko Kayukawa

Opening Reception, Saturday, March 19, 2011
March 19th – April 19th 2011
@ 323East Gallery – Royal Oak, MI

links:
www.323east.com


Video: A.Dd+ – “Likeamug” Feat. Sore Losers

Just last week, Dallas, Texas rap duo A.Dd+ released the lead single from their upcoming album, When Pigs Fly, which is produced entirely by Picnic Tyme of Erykah Badu’s Cannabinoids and will be released on March 28th. Further pushing the hard-hitting, synth booming single, “Likeamug,” the group has just finished filming, and is now releasing a music video to accompany the track. Dallas representatives to the core, not only did the duo choose to premiere the video with the cities local weekly, the Dallas Observer, but the video features some hometown landmarks. “We wanted to make sure we represented Dallas the proper way,” explains A.Dd+ on selecting locations, which include a neighborhood school auditorium and local record store. “So far the city has been very good to us, and we wanted to be good right back.”

This light-hearted video, directed by Picnic Tyme, features rappers Slim Gravy, Paris Pershun, and Brown, of Sore Losers wreaking havoc in a record store – the Dallas staple Good Records, in this case – and swiping some vinyl, all the while recalling one of the scenes from the movie Juice. Unfortunately for the trio, this version ends with Paris, Slim, and Brown being picked up by Dallas’ Finest – and no, we don’t mean Cowboys’ cheerleaders, although we can all be certain that Slim, Paris, and Brown wished Dallas PD looked more like the officer that cuffs them in this video.

Official Site:
http://divehiflylo.com/

Facebook:
http://www.facebook.com/divehiflylo

Twitter:
http://twitter.com/addplus


The International J Dilla Tribute Art Contest Announces Artist Joe Buck As The WINNER And Release Signed Print Series!

Ma Dukes and The J Dilla Foundation are proud to announce that the “So Far To Go” International J Dilla Tribute Art Contest has come to an end, but the movement continues. Artists and fans around the world were invited to come together and celebrate the life of legendary producer James Dewitt Yancey, also known as J Dilla, to raise awareness of The J Dilla Foundation through artistic expression. After three months, 141 artists entered original artwork inspired by J Dilla on www.art4dilla.com. Thousands of fans and supporters from 112 countries and territories participated, and the people have chosen a winner.

The top voted submission is entitled “J DILLA the SpeciaLIST” which was created by artist and designer Joseph “Joe Buck” Buckingham. Joe’s artwork, “J DILLA the SpeciaLIST” will be produced as a limited edition, Giclee print series, signed by Joe Buck and J Dilla’s mother, Maureen “Ma Dukes” Yancey. This signed, limited edition print, as well as special lithograph poster and t-shirt are exclusively available for sale at www.art4dilla.com. All proceeds will be donated to The J Dilla Foundation to help fund their ongoing programs.

Artist and designer, Joseph Buckingham was born in Germany, raised in Queens, New York, and is presently living in Long Island, New York. Joe describes his style of painting as “Pop Art, Fauvism, Primitivism and sometimes Abstract.” Over the past twenty years, his true passion has always been painting, even though he has worked on designing branding material and music packaging for a long list of clients such as Fubu, Baby Phat, Echo Red, George Clinton and De La Soul. Noted milestones include the artwork for De La Soul’s “Saturdays” and “De La Soul is Dead” albums. Joe was also part of the founding team that created Fader Magazine. He also Illustrated two of the first ever Hip Hop children’s books with Scholastic “Think Again” written by Doug E Fresh and “Hope” written by Shaggy

“Joe has always been more than an artist. joe Buck himself is “ART”. What we view as his amazing illustrations are his children!” “The poster feels like a blueprint into Jay Dee’s very soul. His watchful eye looking at me as i read and stand in awe over all of his work listed.The illustration Joe served goes beyond 2Dimensional” -Pos / De La Soul

“A remarkable illustration worth more than its one thousand woven words. You witness Dilla’s private conversation to Joe transcribed for educational public domain.” “Fine art from a fine artist. Joe is a master. This should be used as Dilla 101 for years to come”- Damu The Fudgemunk / Redefinition Records

The contest may have come to an end, but the movement continues. The J Dilla Foundation, along with La Famiglia, 323 East and 5e Gallery are proud to announce that they will be hosting a group exhibit, showcasing artwork from around the world inspired by J Dilla. The exhibition will be held at 5e Gallery in Detroit, MI (USA) and will open to the public in May of 2011.

There is an open call for submissions from artists around the world. All mediums of artwork are welcomed. Artists interested in presenting original artwork inspired by J Dilla for consideration for this special tribute art exhibition can submit images of artwork and general information via email. Artists should include detailed information about their artwork and interest. To submit your art work for consideration, send an email to ArtShow@art4dilla.com with: artist name, an image of the work you would like to submit, size, medium, and your location. More details regarding the exhibit will be released at a later date.

The “So Far To Go” International J Dilla Tribute Art Contest was organized by La Famiglia & 323East on the behalf of The J Dilla Foundation. Supporting sponsors include; Jakprints, 5e Gallery, Crewest Gallery, RX Fresh, Ironlak, Fatbeats, Bombing Science, Fusicology and Ohm Creative Group.

Official Contest Site: http://www.art4dilla.com

Order Prints, Posters and Shirts: http://www.art4dilla.com

For more information about The J Dilla Foundation go to: http://www.jdillafoundation.org


Hieroman ~ Full Capsule Collection

Following the release of the Hieroman toy as a teaser for the full collaboration, GOLDCOIN® and Hieroglyphics, both Bay Area powerhouses in their own right, have now released the full capsule collection, and the outcome is a jointly branded micro-product line combining the styles and backgrounds of each company.

The capsule collection consists of many pieces covering quite a wide spectrum and includes tee-shirts, a sweatshirt, laser engraved woodallions, key chains, and, of course, the much sought after Hieroman vinyl toy. All eight pieces of the collection are now available on the GOLDCOIN® and Hiero online shops. But don’t expect them to be around for long; the collection and all of its accompanying pieces are limited edition.

Fans can also be on the lookout for two full collections to be given away over the coming weeks, one on the Hieroglyphics Facebook fan page and another on the AudibleTreats Facebook fan page.

The Collection Pieces include:
• Hieroman Vinyl Toy
• ’3rd Eye Vision’ T-Shirt in Black and White
• Hiero Woodallion Chain
• Hiero Ring Keychain
• ‘The Legendary’ Sweatshirt in White
• ‘The Legendary” T-Shirt in White/Black and White/Gold

For more information on The Hieroglyphics x GOLD COIN collaboration, please visit:
http://www.hieroglyphics.com
http://www.followthecoins.com


Magical Properties – EPT

Last week we had the pleasure of being part of and sponsoring The Magical Properties Tour in El Paso, TX. If you were not up on things, the tour featured Daedelus, Gaslamp Killer, Free The Robots and Samiyam. This date was on the last stretch of a two month long tour. They still killed it. El Paso-based System A. warmed up the night. Local artist, Zeke, painted live through-out the evening. It was really dope. Here’s a few pictures from the show (courtesy of photographer Joseph Lozano). Thank you to RAINMAKER and AM SOUL.

Gaslamp Killer




Daedelus




Free The Robots


Samiyam


System A



As The Days Pass By – J Dilla Contest Update

As you may know, there is currently an international art contest in tribute to the legendary producer and recording artist James Dewitt Yancey, J Dilla. Over 80 artists from around the world have submitted artwork. And the people vote. Its all online. Please take a moment to read about the contest, the rules, and of course the cause. The contest is a campaign to raise awareness and funds for The J Dilla Foundation, a non-profit organization focused on helping fund inner-city music programs, and provide scholarships to students attending schools that have progressive music curricula.

We wanted to take a moment to let you know, I don’t know who is winning. We’re not going to tell either in till the contest is over, it wouldn’t be fair. I’m not even going to ask. We did want to share a few of the artists work with you and hope that you would take the time to check out some more and vote. Voting ends in the end of Decemeber which gives a good amount of time to spread the word. We are hoping that if you have not voted, you will. And maybe even share your favorite submission with your friends and family, tell them they should check out the contest and vote too. Make your vote count! When voting, take in to consideration that some of the artists submissions do not completely fit the contest rules and are being assessed.

The top voted contestants artwork will be produced as a limited edition print series, signed by the artist and J Dilla’s mother (Ma Dukes). There will be a lithograph poster series as well. Pre-orders are available now for signed prints and posters. If you can support, please pre-order yours today and contribute. Proceeds from the contest go to The J Dilla Foundation to help build and support their ongoing efforts. Both series will be limited.

On the behalf of The J Dilla Foundation, 323 East and ourselves, we wanted to thank all the artists and fans that have already participated in some way and pre-ordered prints. We also wanted to thank our sponsors for being part of this and announce that we wanted to welcome Jakprints to our list of official sponsors, who has recently become our official printing company for the contest as well. There will be more information to come posted in www.Art4Dilla.com.

We hope that if you are a fan of J Dilla, the power of expression, art and music, that you will find this contest as important as we all do. Are only hopes are to raise awareness, spread knowledge and contribute. Help us reach out to all ends of the earth. Thank you again, keep updated between now and Christmas and spread the word. We can’t wait to see who wins.

For more information about the contest, to vote and for pre-orders go to:
http://www.art4dilla.com

For More information about the J Dilla Foundation check out:
http://www.jdillafoundation.org


Update \\\ J Dilla Tribute Art Contest

If you’re not up to speed, there is an international art contest in tribute to J Dilla. La Famiglia, 323 East, Ma Dukes and the J Dilla Foundation have created the contest to raise awareness and money for the J Dilla Foundation.

Artists from around the world have been invited to create original artwork inspired by the legendary producer and the fans vote to decide the winner. The top voted contestants artwork will be produced as limited edition giclee prints (signed by the artist and J Dilla’s Mother, Ma Dukes).

The Mission of The J Dilla Foundation is to help fund inner-city music programs, and provide scholarships to students attending schools that have progressive music curricula.

The foundation was started by Maureen Yancey, mother of acclaimed producer James “Jay Dee aka J Dilla” Yancey. J Dilla was a Grammy award winning record producer and artist who emerged from the mid-1990s underground hip-hop scene in Detroit, Michigan.

Even thought the contest is already underway, artist registration and voting will continue in till the end of December. We encourage artists to create something and enter. We encourage fans to spread the news, sit back and check out the artwork, and vote. Share your favorite submission on facebook and twitter. We are all very excited about the amount of support and interest people have had.

Proceeds from the contest go to the J Dilla Foundation and the prints are available for pre-sale. Thank you to all the artists, fans, and the media who have reached out!

Official Contest Site:
http://www.Art4Dilla.com

The J Dilla Foundation:
http://www.jdillafoundation.com


Little Monster \\\ We’re opening up Shop!

We’ve decided to branch out and find new ways to support the things we appreciate and believe in by opening up an online shop, Little Monster. The shop will carry independent music (digital & vinyl), limited edition art, clothing, books and other interesting stuff we come across. We are currently stocking inventory and establishing communication with artists and labels while we prepare to open up shop. Little Monster will also offer pre-order services for music, art, and clothing.

Since there is a process to everything, artists & labels can send a new product proposal via email to inquire about Little Monster’s interest. Depending on our interest we will reply and walk you through the rest. Be as detailed as possible and do not send links to MySpace. We are interested in:

All Genres of Music
Original & Limited Edition Art
Clothing & Accessories
Books, Films & Other Things

New products are evaluated on a case to case basis. We don’t sell singles . You set your price. We’re offering most digital products including music up to 70% of sales. Include in New Product Inquiry: Company Info, Contact, Product Details, 1-sheet, look book or EPK, Images, Relevant Links, Stream/Download (if applicable), retail and wholesale value.

If you are interested in proposing a new product to Little Monster, send new product inquiry via email to: shop(@)alittlemonster.org

For additional information stay tuned:
http://www.AlittleMonster.org


La Parada

Thank you to everyone that came out and represented this past Friday at La Parada! This was a great start to something beautiful. Mad Love and Respect to all the artists, musicians, and DJ’s. Shouts out to Rob Bass, System Addict and Bless 1ne for throwing down on the 1′s & 2′s. To Resistencia, Chrissy Gurrola, Emnesty and The Stanton Street Collective for blessing the stage. To Ray Ray, Serro & Unek (CBS) for coming down to paint! Roberto Santos for hosting the evening. And of course all the people at the San Carlos Building & the People came, drank and danced! Can’t wait to next month! Spread the word! Thanks to Koi Studio Productions for the photos! Click Here For Some More!

Ray Ray

For More Information about La Parada check out:
http://www.firstfridaysep.com


Jedi Mind Tricks “Halloween Havoc” Tour

Tickets for all of the dates on our upcoming “Halloween Havoc” Tour are on sale today. Here’s a list of the dates and lineups. Click on the show dates below to buy tickets..

10/27 – Asbury Park, NJ – Wonder Bar w/Reef the Lost Cauze
10/28 – Towson, MD – Recher Theatre w/R.A. the Rugged Man and Reef the Lost Cauze
10/29 – Philadelphia, PA – Trocadero Theatre w/Freeway and Reef the Lost Cauze
10/30 – New York, NY – Bowery Ballroom w/R.A. the Rugged Man and Reef the Lost Cauze


Semillas De La Paz

Roughly 2.5 million people call the El Paso/ Ciudad Juárez border their home. Every day people from Juárez come across the border to go to school and work. People who live state-side may have family back in Juárez. Some-how, everything seems to be connected. There is a lot of history and culture… a lot of life. Statistically El Paso is one of the safest cities in the United States. Ciudad Juárez has been publicly recognized as the most dangerous city in North America. The level of corruption and violence surrounding the drug war, politics and social issues are almost indescribable. Over 28,000 people have died in drug related violence. This year alone there has already been over 1,700. If you turn on the TV or search the web, all you see is tragedy.

A few months ago I had a conversation with a new friend about creating something reflecting the people and the social issues surrounding the El Paso and Ciudad Juárez borderland. We wanted to bring people together to raise awareness of the other side of things. We wanted people to see the beauty and inspiration within the people here and how they could affect the world around them by simply realizing that there is another side to things. Or at least kinda of remind them. People seemed to relate to the idea.

The images and video featured in this article document a series of events involving many people from both sides of the border that spawned from the conversation over a period of several months; including a photo-journalist journey into Juárez and community protest walk, as well as a short documentary creative film project featuring a collaboration of local artists.

This past Saturday, we invited the community to come out to join us to celebrate life, reflect on the idea that creativity and expression can change the way we see the world that surrounds us and to bring peace. The event, “Semilla De La Paz” featured the artwork of Cimi and Victor Casas, as well as a collaborative piece created by local artists, and raise money for Hands of Love and Hope, a charity in Juárez dedicated to providing food and shelter to area orphans. There was some amazing art, music, and people.

*Featured artists:
Arturo Arce
Fernie “GFX” Fernandez
Werc
Gera Lozano
Frank Rosales
Luis House
Shedrick Allen

A lot of people have been involved with “Semillas De La Paz” in some way or another. This wouldn’t have been possible without them. I’d like to give a special thanks to everybody at the San Carlos Building (especially Koi Studio Productions and The Root Yoga Studio), Arturo and Ellisa Arce (Hellpaso), Celisse Villagrana, EP Culture Beat, everybody involved in The Green Beans Project, Sons of Villa, Rafa Pistola and The Immigrant Noise, Christina Velia Gurrola. Not to mention, Sonic Ranch Studios, L&P Scientific Consulting, Klothes Lime Fashion who sponsored the movement. Thank you to anyone that I’ve missed. If you do not have an understanding of the issues surrounding the violence in Juarez and the rest of Mexico, please take a moment to search Google. There is a good amount of information out there.

Here’s a link to the images  surrounding “Semillas De La Paz” contributed by Bianca Cerventes, Joseph Lozano & Rob Leal:
http://www.flickr.com/photos/lafamigliamagazine/sets/72157624721593113/


Tagür – Customers Custom Kicks

Tagür is a unique independent footwear and apparel company based out of Southern California that’s really focused on creating with the consumers themselves. Artists can buy blank version of their sneaker, customize it, then have the opportunity to have their design turned in to a production model. In the past Tagür has collaborated with graffiti artist legends Cope2 and Phase 2. We thought this was interesting. Always have been a big fan of custom kicks.

"AKA Black Laser" by Cope 2

“100% of our products are created by the customers we covet. We provide a stage where artists submit designs and the free market dictates which pieces we should invest in, to develop into retail products.”

Here’s how it works:
1. Buy a pair of the AKA Blanks at www.tagur.com
2. “Tagem” (customize the shoes or tag them) and send us pics to info@tagur.com
3. If Tagür like’s what they see they’ll place them in one of their custom sneaker events. If there is a significant interest about a custom design, they’ll invest in the artist and make the design a production model.

"Def Jux" by Phase 2

Just recently Tagür landed a contract with FOOTACTION and available in the following 10 of their stores in the L.A. Area:

Baldwin Hills, LA
Westfield Culver City, Culver City
Los Cerritos Center, Cerritos
Del Amino Fashion Square, Torrance
Santa Anita Fashion Center, Arcadia
Stonewood Shopping Center, Downey
Puente Hills, City of Industry
Fair Oaks, Pasadena
Northridge Fahion Center, Northridge
Glendale Galleria, Glendale

AKA Blank





For more information check out:
http://www.tagur.com


Fat Beats Announces Closing Of New York And Los Angeles Retail Stores

After 16 years, Fat Beats has announced the closing of the legendary label’s two remaining retail locations in New York and Los Angeles. Fat Beats will celebrate the legacies of the stores, which are scheduled to close in early September (New York: September 4th, Los Angeles: September 18th) by throwing a series of blow-out sales and tribute parties open to the public during their last weeks. Fans can check www.FatBeats.com for updates.

Fat Beats’ longest running and most famed location is at 406 Avenue of the Americas in Manhattan. Since the 1994 opening of Fat Beats’ flagship retail location, hip-hop fans have traveled far and wide to visit the iconic store. With locations soon following in Los Angeles (7600 Melrose Ave.), Atlanta, Amsterdam, and Tokyo, the record stores were a place to experience hip-hop culture and its legacy, which became a global phenomenon. “The closing of Fat Beats is just like one of my friends passing away. They promoted vinyl at its highest degree for the culture of good music and that makes it more difficult to say goodbye,” says DJ Premier.

The announcement of the closings is a reflection of the woes that have been plaguing the industry for years. Global chain HMV closed their last US location in 2004. Tower Records shuttered in 2006. Last year saw the close of the last Virgin Megastore, and the story is no different in 2010. For Fat Beats, maintaining two stores well into 2010 is a testament to the stores’ importance to the music and to fans and consumers continuing to support independent hip-hop.

While news of the stores’ closing marks the end of an era, the future is not doom and gloom. Digital sales continue to increase industry-wide; for Fat Beats, currently operating a profitable and growing online retail store, this has provided a boon to business as fans continue to order mp3s, vinyl, and CDs from FatBeats.com. Although digital sales continue to grow, executives at Fat Beats understand the importance of independent retail stores and are planning to re-open a brick and mortar hip-hop lifestyle location sometime in the near future.

The future looks just as bright for Fat Beats Distribution and the label. Fat Beats Distribution, which has been renamed FB Distribution, continues to strike noteworthy distribution deals with independent and major labels worldwide and is now working with different genres of alternative music. Fat Beats Records will continue to release notable albums from their own impressive roster of artists including ILL BILL, TruMaster/KRS-One, Black Milk, Trinity, Sha Stimuli, Q-Unique, and more. Fat Beats owner and President Joe Abajian says, “This is the start of a new era for Fat Beats. We’re adapting to meet the needs of our demographic by revamping and improving our existing systems. While our website, which stocks everything available in our retail stores, continues to do very well, we’re still exploring our options for alternate retail locations in the future. We’re proud of our legacy and will continue to re-invent ourselves. For now, we’ll see you online at FatBeats.com

Links:
FatBeats.com


Video Contest In Support of Proposition 19

The National Organization for the Reform of Marijuana Laws (NORML), a Washington DC-based marijuana advocacy group, has partnered with jam-based dub rock heavyweights Slightly Stoopid and hip-hop juggernauts Cypress Hill on the Legalize It 2010 tour for a YouTube based video contest to raise awareness for California’s Prop 19, the initiative to regulate and tax marijuana. The initiative will be on the California ballot November 2nd, 2010 and its passage would be a historic step forward in the fight to end marijuana prohibition and legalize marijuana nationwide..

NORML, Slightly Stoopid, and Cypress Hill invite US residents to create 30-60 second videos of themselves answering the question, “What could California do with the revenue generated from taxing marijuana?” Participants are to upload their entries to YouTube with the tag “YesOnProp19.” Members of both bands and representatives from NORML will personally pick one grand prize winner and two runner-ups from a selection of the most viewed, rated, and commented upon videos. Prizes include a personal phone call from B-Real, a limited edition Slightly Stoopid vaporizer, a framed autographed tour poster, a free one-year membership to NORML, plus more. Winners’ videos will be shared on all the partners’ social network profiles. For official contest rules visit: http://bit.ly/aGYsJx

Proposition 19, the Regulate, Control, and Tax Cannabis Act of 2010 (www.taxcannabis.org), will give local governments the ability to tax the sale of up to one ounce of marijuana for recreational purposes to adults age 21 and older. According to the Board of Equalization (BOE), California’s tax regulator, controlling and taxing marijuana in California could generate $1.4 billion in much needed revenue each year.

Contest Rules & Entry:
http://bit.ly/aGYsJx

NORML:
http://www.NORML.org

Proposition 19:
http://www.taxcannabis.org

Cypress Hill:
http://cypresshill.com/home

Slightly Stoopid:


Kid Koala Needs Your Help!


Montreal-based producer, DJ, and illustrator Kid Koala has just reached out to the world and announced a very exciting project that involves the love and support of all his fans. We thought that we would share it with you.

In December 2010 Kid Koala will be going to the Massachusetts Museum of Contemporary Art (MASS MoCA), www.massmoca.org, for a week-long creative residency to develop a family-oriented live show based on his soon-to-be released graphic novel/soundtrack project Space Cadet. During the residency, Kid Koala and his five-member creative team will live in the museum’s artist housing, build a set with the production staff, and perform the show (along with a Q&A session) on Saturday, December 11.

For his show at MASS MoCA, Kid Koala will perform Space Cadet’s soundtrack on six turntables and a piano. At the same time, images from the book will be recreated live on custom-made screens to create an all-encompassing experience.

MASS MoCA’s black box theater will be transformed into an intimate, living room-like environment, allowing the audience to have a personal experience of the work while sharing the space with others. The audience will watch the projections on stage while listening to Kid Koala’s performance of the soundtrack using headphones.

Donations to fund the residency, production costs, including artist housing,
equipment and technical services can be made here:

Links:
Campaign for Kid Koala Residency on Kickstarter

For more information about Kid Koala go to:
http://kidkoala.com


Haiti ~ A letter from Immortal Technique

Immortal Technique has arrived back into the US after being in Haiti for a few days to assist hands on in the relief efforts and for a show to support Haitian Hip Hop. Below is a letter from Immortal Technique describing his experience and views on the current situation.

Letter Below:

I recently arrived home from Haiti.

While I was there I worked in a few aspects of the relief effort including a solidarity mission to aid the Earthquake survivors. In addition to all of this Myself, Cormega and Styles P participated in a show to support Haitian Hip Hop and rebuild the community. I would like to thank Arms Around Haiti and Hip Hop for Haiti for inviting me to be a part of this movement. While I was there I saw both devastation and rebuilding efforts. I also broke bread with people who had lost their entire family. Literally, everyone but them was deceased. Then there were those whose grief centered around losing a mother, father, brother, sister, son, or daughter as a direct result of what happened. It should make everyone reading this feel blessed to have anyone in his or her life. Think about that… Now think about it some more.

I saw so many different things as I walked through the slums and rode around Port-Au-Prince (as well as the area surrounding it.) I met mayors, townspeople, and the Arms around Haiti (Sobs staff) introduced me to several visionary Haitians with good ideas to rebuild the country that I am seriously considering investing my time into.

But one of the most powerful experiences came to me when I was holding this little baby girl who couldn’t have been more than a year old. She was crying because she was hungry, thirsty and tired. I picked her up and she hugged onto me with the newfound control her young muscles had recently provided her. She was one of the many orphans that I met while I was there, and as I held her I wondered what the future would hold for this little precious life. Her father would never hold her again and rock her back and forth to sleep while whispering stories to her. She might find good hearted and righteous people to one day adopt her, but her father, the man who created her would never tell her that he loved her or that she was special, save for the length of a dream or a subconscious memory. So I told her in French that I loved her, that she was beautiful and that she was special to me. I gave her all my water and her young face was immediately full of focus and comfort. After a few minutes of holding her, she fell into slumber. I gave her back to her to a 11-year old girl who had also lost her parents and was acting like a surrogate mother to most of the younger children.

Then I looked at my hands, they seemed like such strong hands before I went to Haiti. Strong like my will that is made of iron, and my resolve, which I consider unbreakable. But the strength of this young adolescent Matriarch and her newfound responsibility served as God’s gentle reminder and it humbled greatly as I realized what she carried on her shoulders. I am a Revolutionary but rather than just going to places around the world to bring people freedom, I seem to find it among them.

I felt great sadness leaving this place but I also felt anger at the things I saw. So I began to detail a few observations about Haiti and Revolutionary action associated with it in general. I wrote these things as I saw them or felt them but I waited until I was home for a few days so as to not elicit an emotional response but rather one of logic and understanding concerning the various things I saw.


The Spirit of Toussaint is Alive:

- Although the people have suffered here immensely, I still see their spirit still very strong, unbroken and defiant. Even though the sun floods the day with sweltering heat, the vast majority of people are working in some capacity. Many have their own small business or hustle and they take great pride in what they do. They find no shame in their work, however menial because, as it was told to me they felt blessed to have anyone to provide for. In the camps when dusk settles in, children play soccer with pieces of garbage tied up or maybe an old volleyball. They are survivalists as their history has taught them to be. The tent cities are home to usually 2 or 3 families per tent. Perhaps it is their past dealings with dictators sponsored by this nation, or by years of civil strife and a long Revolutionary history but they have become so resilient, so much so that they now serve as a personal inspiration to me of what mankind/original man can overcome.

All about the Benjamin’s, Mon Cheri:

Foreign Aid. That is a deceptive phrase. Many times the countries who, pledge money to a disaster-ridden nation are not giving that country money at all. They are really pledging the money to their corporation to rebuild the country at an inflated price set by the global conglomerate. It changes the very nature of what that means. Imagine if your house burnt down and I told the news and every local media outlet I was going to “donate” $100,000 to rebuild it. This is the catch the job really costs $20,000 to do. Yes, from the Capitalist pro business point of view I am providing a service that I deserve to be compensated for. But the characterization of what I am doing is purposefully altered so as to disguise the real motivation for “aiding” you. I’m not condemning the idea of foreign aid on a whole although there are aspects of it that create dependency and de facto vassals. But the system by which some of this “aid” is raised and distributed sometimes has little to do with anything resembling a humanitarian effort.

Let’s recap. I give you money, which you’re essentially giving back to me plus interest for doing something at twice the cost. I don’t give you fish anymore. That was Imperialism. This is Neo Liberalism, we teach you to fish, and collect 75% of the profit…forever. This system is actually the one that seems rational to first world powers now and is still implemented today all over the planet. Corporate Non Government Organizations (NGO’s) raise billions of dollars just to spend a fraction of that on the people who are actually affected and suffering. Then as if overpaying themselves wasn’t enough they act like they really did something. This system gives a bad name to real non-profit NGO’s and people that are selflessly doing something out of the kindness of their hearts. The Foreign Aid field is infested with corporate socialites and poverty pimps who troll around the mud with us dark people so you have something to talk about at your bourgeois industry parties. And where is the money going?

Waiting in Vain:

There is about 12 Billion dollars of Aid, waiting to be distributed, (conveniently earning interest for someone by the way) and since world agencies (take your pick) do not trust the shell of government left in Haiti, the situation has spiraled into a game of tit for tat in some instances. Corruption is not relegated to the surviving members of a fractured government. The customs area has thousands of pieces of clothing and non-perishable food that is simply sitting in store-rooms because customs is sometimes demanding $8,000 (US) to allow it into the country. You read it right, $8,000 American dollars to let a few boxes of supplies collected by people like you into the country. There are organizations such as the one I was there with, and Wyclef’s ‘Yele’ that use their longstanding connections with local power players and government officials to navigate around these bureaucracies, but it made me wonder how many good hearted people’s donations were just sitting there in some hangar collecting mold and dust. The supplies I handed out, the stuff I brought myself to give to people, the houses we put people in seemed like a good first step but now I wish more than anything to return and really make an impact having studied the situation. (* I remember after the Earthquake happened the mainstream media did a few stories criticizing smaller Aid Organizations on the ground and encourage people to direct their donation to the Major ones. Now I wonder if it was to promote efficiency or was it to safeguard their corporate partners monopoly?)

Children’s Story:

In Haiti, child trafficking is still going on, because it’s a lucrative business. It hasn’t stopped just because the news has stopped covering it, this right here is still happening. (http://www.cnn.com/2010/WORLD/americas/01/27/haiti.earthquake.orphans/index.html” target=”blank”> http://gvnet.com/humantrafficking/Haiti.htm ) I have even heard rumors about aid workers trading food for sex with little girls and boys. I’m not repeating these charges to try and substantiate them in any way. Because I hope they’re a lie, or at worst an exaggeration of an isolated incident. Far be it for me to try and pass innuendo off as fact but when you hear something like that from dozens of people from different walks of life, it makes you think. The reality after the Earthquake was that many of these children were (and still are) stolen and shipped out immediately or taken over to the Dominican Republic whose government is also very corrupt and sold to every corner of the world. Sad to think that the nation that showed the world that a successful slave revolution was possible has it’s sons and daughters sold into slavery in 2010.

The Almighty UN:

When I was young I thought the UN was a powerful entity, like the Super friends from Saturday morning cartoons. I was fed the idea that they provided a solution to arguing nations and would be helpful in taking the side of the underdog, the oppressed and colonized. But as I grew I realized it was just a way of making it look like America and Britain were not acting alone and it rewarded participants who conscripted their troops there. They are a Right Wing punching bag but really that’s duplicitous because they have been used to justify our actions in Afghanistan and Iraq. As if it is full of equal partners who are committed to the mission. Truth is the UN peacekeepers are full of many soldiers who would otherwise be getting paid $100 a week to be a soldier in their own country. The UN security-council resolutions have no teeth without the US’s approval, and sometimes they go to a country (like Haiti) and get a paycheck for doing very little. As I keep having interactions with them, my opinion just keeps on worsening. I by no means had any of those young teenage illusions about them going into this trip, but this is my observation. There is no salvation for the 3rd world in this entity. Truthfully, the UN are a war (with a real country) away from being as much of a part of history as the Hanseatic League. As we speak. They act as the de-facto military rulers of Haiti, with the US leaning over them looking at possible candidates. I think in all honesty they want a Haitian Karzai of their very own so perhaps their weakness is deceptive on purpose and they are just the arm of a face that has not revealed itself yet. “Le temps est un grand maître, dit-on, le malheur est qu’il tue ses élèves.”

Jesus’s Power Broker:

- Haiti is flooded with Christian missionaries. There were 40 of them on the plane with me headed to Port-Au-Prince. In case you don’t know what a missionary is kids, it’s not just a sexual position. (Although plenty of people have been fucked over the years.) It means someone who goes to other countries and tells people that their religion or native custom is savage and full of useless ceremonies to God’s & spirits that don’t exist. And while I know some of these people mean well, their very existence and purpose is in complete contradiction to what their religion actually teaches. Some are working to build schools and help out with social programs, but always with the agenda to prosthletize and solidify their religious control over the area. So no matter what their intentions are, they look like their peddling Jesus on a fishing pole with foreign aid wrapped in Bible paper on a hook. In the past they were dispatched to countries to make them as Christian as possible in a direct effort to bring them into the colonial power’s sphere of influence. You see Imperial powers could not win by military force, and so conversion directly aided in our subjugation and apparently still aids in our placation. As long as we let other people define God for us we will not only be the physical but also the spiritual prisoner of our oppressors vision.

Mission Impossible:

- Spain, Portugal, England, France and Italy, etc… did this “missionary work” all over Africa, Asia and Latin America. Many of you people reading this who are of the aforementioned faith have them to thank, not divine intervention for what you believe. I am not in any way shape or form trying to detract from the individuals who really have the message of Jesus Christ in their hearts. I honestly believe if we lived our lives by the teachings of Christ this world would be a better place. But there are too many frauds making money off of Yeshua these days. The crazy thing is, that as many Muslim and Jewish charities that are working in Haiti, I haven’t witnessed any effort by them to convert people to Judaism or Islam. What is it about this faith that we hold so dear in America that makes us so insecure about what other people believe in? You’re going to have to stop using the excuse you want to “save people” and just admit that you don’t feel comfortable around someone until they believe in what you believe, spiritually. What gives us the moral authority to go around the world and tell the indigenous people of every continent that their religion is a farce and the only real truth was compiled in Constantinople in 325 AD? Isn’t the most “Christian” thing in the world to give charity to the poor and suffering without asking for anything in return? (Least of all, the culmination of all their beliefs.)

Blood Roots:

As I walked through the tent cities full of families waiting for water and cooking whatever they could find for their collective I happened upon a long road. It led me through the scorching slums of the outer area of Port-Au-Prince. While I was walking these two young brothers who ere dressed in red asked me if I was a Blood. I looked at them both and I responded that I wasn’t and one of them then raised his eyebrow, “you Crip then?” He asked with a heavy Creole accent. I said that I was neither and I was more like a Black Panther. After all OG Black Panthers and people from the Indigenous movements have taught me a libraries worth of knowledge. The younger one asked me what a Black panther was. I searched my surrounding for an analogy and there just happened to be a small tree near by. So I walked them over to it. The tree had two branches littered with a few leaves. Holding one branch I said, “this one is the blood” and pointing to the other one I said, “this one is the Crip” and then putting his hand on the trunk close to the roots, I said “this one is the Black Panther”. “Ne de la Revolution” which means Born out of Revolution in my humble French. The young kid smiled at me and asked me more about the Black Panthers. I stood there speaking to him for a little while and then we saluted one another and went our separate ways. Although Haiti is twice as hood as any place in the US, they are such a young country full of children who must become adults before their time. If they are to succeed, someone must educate them to the fact that what people call Black history is in fact world history. I would be honored to be a part of that someday. Don’t worry I won’t NGO them for hundreds of G’s either. I’d settle for a room and some coffee in the morning.

La Revolucion de Latino America:

For those of us who are studying Latin American Revolution, Haiti is the prequel, the seemingly invincible power of France being challenged and overcome. The Napoleonic wars gave America a chance to breathe away from the eyes of Europe long enough to affirm itself. France’s assault on Spain weakened the European states enough for us to take the moment that we cherish as our time for ‘Revolucion’. The story of our Revolution doesn’t begin in the 1950’s but in the Indigenous revolts of the conquest era and the early 1800’s when a small island of enslaved Africans showed the world that it was possible. Estudiantes Latinos, estudia esta Revolucion, sus lecciones son unas de las mas importantes para apprender. Tienen te todo, de raza, de classe, de corrupcion, y por supuesto del sacrificio necessario para obtener la libertad.

In parting:

I learned something very reassuring about myself in Haiti, something I am proud to acknowledge and leave my people on a good note with. When I meet someone who is a better activist, or Revolutionary, (I’ll be happy to make that distinction later) when I see someone whose actions achieve more than mine, or who has a more complete perspective I become inspired. I don’t get bitter or jealous and think about trying to “out-revolutionary” them. That’s so pointless and yet it is something that I see sometimes in the movement, people who think that because another doesn’t adhere to the same ideology or the same faith that we must bring them down. I am a Revolutionary and I need no one’s permission to be. We were successful at breaking ground in Haiti, but my mission there is by no means complete, I wish to plan further actions with my friends at Arms Around Haiti and the staff at SOBS. I would like to thank Jube, Mario, Cormega, StylesP, Herbie, Clef, Yele, Arms Around Haiti, Parrish, BC, and my Haitian Soldiers there for making this trip possible I look forward to returning soon.

“Le travail éloigne de nous trois grands maux: l’ennui, le vice et le besoin.”

Peace & Respect,
Immortal Technique

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